vintage japanese amplifiers

Pioneering? VintageChief sells pre-owned stereo audio amplifiers from especially the 60's, 70's, 80's, and 90's in all price ranges. No matter. Lamm Industries ML-2 monoblockThroughout the SET craze of the mid-to-late 90s, I listened to a lot of single-ended-triode amps from Japan, Great Britain, and the U.S. None was (or is) as natural as Vladimir Lamm’s 17Wpc masterpiece, the ML-2. Using data compiled for The Official Vintage Guitar Price Guide 2011, we continue the celebration with a list of the 25 most valuable amplifiers – those that helped create the tones made famous by virtually every genre of pop music. Vintage Turntables, Vintage Speakers, and much more for sale. The 700 outpowered the Crown DC 300, the first high-powered transistor design, and was cleaner and less colored than the Crown, to boot. These were designed by Sid Smith (of Sea Cliff, no less) under the watchful eye of Saul Marantz, who was always in and ahead of the vanguard of state-of-the-art sound (from his marketing of the first straight-line-tracking arm/turntable—a commercial failure—to his early sponsorship of Jon Dahlquist and the DQ-10 speaker). It’s still a reference for many collectors when recapped (including me). The Williamson Amplifier (1947-1949)Not the first tube amplifier with feedback nor the first with low distortion—Peter Walker had a feedback prototype in the late 1930s and Leak a hi-fi amp before Williamson—Williamson’s designs published in Wireless World in the late 1940s showed once and for all that low-distortion amplification was possible and practical. Those watts were clean, clean, clean and analytic in a way other solid-states weren’t. The D150 proved that transparency, resolution, and low coloration were not the exclusive province of solid-state amplifiers. Part of the trick was its use of an extra dose of Class A bias, lack of compression, and superb channel separation. Once upon a time, Sansui was a mere transformer manufacturer. McIntosh is the best vintage stereo amplifier, and for many reasons. 0 0 0 0. The BP-1 Mk.II’s core triumph is combining high resolution of musical information with an utterly relaxed and unfatiguing sense of ease. Audio Research Corporation Reference 610T monoblocksThe culmination of William Zane Johnson’s glorious career as an amplifier designer, the 600W+ 610T is the best ultra-high-powered pentode tube amplifier JV has yet heard—a paragon of neutrality, resolution, transparency, bloom, dimensionality, and seemingly limitless power from the bass to the treble. It was a diving board for some, like William Z. Johnson (of Audio Research) whose earliest tubed units were built around the Dynaco chassis and parts (highly modified, of course). Thus its gear you can almost buy blind-folded, knowing you’ll get something true. This gorgeous vintage Sony preamp was sourced from Japan and properly converted to 110V operation. Dennis Had’s Cary CAD-805 was the amplifier that put SETs on magazine covers. Even the best solid-state designs could not then reproduce the three dimensions, the depth, of a real-world soundfield, much less its width, and reproduce these with something like the full range of dynamic contrasts. MarantzAs there must be a Marantz manufactured by Saul on this list, the Model 8 or 9 are the logical choices. By keeping it clean and minimalist, blessing it with a sweet midrange and dynamics out of proportion to its modest power, NAD kept buyers coming back for more. The answers, in all his own quotes, are below. In that regard, it was a singularity. BTW, I have the very first pair ever made in for audition! Category Features. McIntosh MC3500While the MC2505 put the signature big blue meters in the market, many people consider this the greatest amplifier ever made. What interested me then was just how closely it sounded like Class A, but with considerable power up to a quite loud point, it had most of the advantages of Class A sound, with few flaws (the unconvincing bass, lack of sparkle in the upper midrange) as well as a tendency to oscillate and blow fuses. This amplifier offers a unique mode of operation and not just the promise but the reality of an all but unprecedented ability to drive difficult loads playing demanding music with uncompromised sound quality. Refined into the 610T (tall), it’s 600 watts of breathtaking thermionic power that has no peer. Reviewed in this issue, the TBP-Zeros—which forgo the use of those banes of transitor amps, the emitter resistor—are simply the highest resolution, highest transparency-to-sources audio components I’ve yet auditioned, tube or solid-state. Maybe he simply fed himself into his force-field speaker.). The critical range of the midbass (say 40 to 80 Hertz) is where the fundamentals of music lie, and this is exactly the region in which other tubed designs sounded either bloated and bloomy, or anemic and antiseptic. There seems to be a problem completing the request at present. It was designed by the man whose 550 pure-pentode design was the breakthrough and the basis for today’s best tubed designs. PIONEER A 400. Maybe not. Though it has recently been replaced by the ML-2.2, which judging by its showing at this year’s CES is even better, the ML-2 was for more than a decade not just the best SET but the best low-powered amp on the market. Phase Linear 400Introduced in 1972, this 200Wpc stereo amplifier from the redoubtable Bob Carver was perhaps the first big solid-state amps to offer high power without the usual price tag in grainness and odd-order harmonic roughness. NAD-3020 IntegratedBorn in the late 1970s, it was the little integrated amp that could. McIntosh MC275 Using an implementation of Mac’s original unity-coupled circuit, the MC275 set new standards for low distortion. It wasn’t a Stereo 120 or a Phase Linear 700 though. A 70W (40W in switchable triode mode) monoblock, it set the standard for liquidity and gorgeousness of timbre in its day—and to some diehards still does. Along with the McIntosh M50W1, the beginning of modern high fidelity. Mark LevinsonI have no experience with Levinson products, but surely a list like this must include one—the 25 watt Class A ML2 perhaps? After that comes the Kenwood KX W6070 cassette deck. Remember that when the 350Wpc Phase Linear 700 was introduced in 1970, 50Wpc was considered a powerhouse. Share. McIntosh 275 This is a legendary amplifier, and from a legendary company, whose commitment to quality of construction and design has never wavered, not even during its long dark night of solid-state electronics. That means you can own one. Analog amplification lives! We have a large collection of vintage Amplifiers to choose from. Carver wondered why his home-built big tubed amp of the day sounded much better than solid-state designs. Plinius 8150 The 8150 represented the leading edge of a new breed of high-power integrated amplifiers that challenged the hegemony of separates. Detailed, neutral, and transparent, the Phase 400 may not have generated all the wattage/voltage of its elder and bigger brother, the highly regarded Phase 700, but to some of us it sounded more lifelike in timbre and texture than the bigger PL. Contributors include: Peter Breuninger, Neil Gader, Robert E. Greene, Robert Harley, Dick Olsher, Harry Pearson, Paul Seydor, and Jonathan Valin. It spoke with a kind of dynamic truth that was undeniable. Vintage Sound Amps, Inc. is the first amplifier company ever endorsed by world renowned session guitarist Brent Mason. In 1995, Johnson designed his lifetime achievement product, the Reference 600. Futterman H3 OTLJulius Futterman was the first to realize the dream of a commercial output-transformerless tube amplifier, albeit for a brief period. Vintage Rotel RX152 Mk2 Stereo Receiver Amplifier With Phono Input Vintage Rotel RX152 Mk2 Stereo Receiver Amplifier. And, simultaneously it also got the dynamics right—yes, the other units could play midbass notes at the loud end of the ffff spectrum, but not fully at both ends, including the softest. Did I forget to mention the heat it generated and the number of tubes that failed? Amazingly, its clear, three-dimensional sound is comparable to many amplifiers made today. The amps, to this day, sound amazingly good, powerful, and more than a tad romantic—they live on, though Smith and Marantz do not. There were other designs that did not quite materialize either, including a strain-gauge cartridge/preamp. Stereo Amplifiers, Pre-amps and Integrated amps: Vintage stereo control power amp / preamps & amplifiers, integrated amplifier / amp for sale that have been completely serviced / refurbished / restored with a warranty; by B&K AV2500 5-channel power amp, Dynaco, Fisher Studio Standard CA, Hafler, Kenwood Basic C, KA KC, KM, NHT SA-3 subwoofer power amp, Onkyo A, Pioneer SA, SAE Mark, … Conrad-Johnson Premier OneThis was the first high-powered tube amplifier designed by Lewis Johnson and it had a quality I had not encountered in a tubed unit before: authority. I leave to others choice of model (the D150, maybe?). The 800A introduced active biasing that allowed the 800A to deliver far more Class A power than conventionally biased Class A/B amplifiers of similar size and heat dissipation. Though dark and euphonious in tonal balance (the 8B was arguably more neutral), the Model 9 was and is so beautiful that many listeners forgive it its colorations. Then there was the 400 that came down the road later, and did at first sound transistory, thus it was subject to the golden touch of modifiers like Frank Van Alstine and became a formidable contender in the high powered solid-state amp sweepstakes. NAD 3020Since the criterion is “significant,” the highest‑selling integrated amplifier ever made—introducing NAD’s famous “soft‑clipping” circuit—must surely qualify. And they still are. Cary Audio Design 805This amp more than any other is responsible for the commercial success and revolution, if you will, wrought by single-ended triode designs in the early 90s. (Legend: It could make solid-objects disappear into a nowhere dimension.) Like Kleenex for tissues or Dumpster for large garbage containers, the brand Teisco has become a kind of shorthand for “strange looking Japanese guitar from the 1960s.” When someone posts a picture on a forum of a vintage Japanese guitar that he’s trying to identify, five people will immediately shout out “Teisco!” Shop from the world's largest selection and best deals for Vintage Amplifier. The owner was quite a nice fellow - not too much English but he was quite a gracious fellow and more importantly his amps look beautiful are sanely priced and sound wonderful. To get a little more insight, we asked Garry to share the most popular receivers and amplifiers that people come to his shop for. vintage amplifiers tube amps. The reasons for its popularity are obvious: This was (and still is) a simply lovely-sounding amp—sweet, bloomy, forgiving, and relatively neutral and transparent for its day (though it didn’t do the frequency extremes like today’s tube designs do). This amplifier could. Floor-Standing and Stand-Mount Speakers Bookshelf Speakers CD-Players. Leak TL12+ mono valve amplifier . Elk was apparently shut down by Fender for too much lookalike but for the most part only the cosmetics were Fenderish. $60,000 for an amplifier! The Premier One, however, got these basic frequencies right and more importantly, their resulting harmonics. Since the 610T is also, in all probability, the last WZJ tube amp we will see, it makes a worthy final statement from one of high-end audio’s true greats—and final chapter to the high-end’s Golden Age. or Best Offer. The polar opposite of the grainy, piercing, high-in-odd-order-harmonics sound that many of us then associated with solid-state designs, the ML-2 proved that the transistor could make music as readily as it could generate power. Natural, nonfatiguing yet lifelike, it and it only is allowed to drive my 57s (and it’s also splendid on any number of other speakers, especially LS3/5as and their progeny). CD-Players DACs ... We SERVICE any type of vintage hi-fi, request a quote here. Published on March 6, 2018. Audio Research Reference 610TIn the late 1960s, William Zane Johnson, began building and selling modified (Dynaco) ST-70s. Phase Linear 700Although not nearly as popular as the smaller 400, the 700’s claim to fame is that it was the first truly high-powered amplifier. £82.21. Elk, Guyatone, Jugg Box and Teisco were the main ones and made some decent sounding amps. This trend toward high-powered amplifiers gave loudspeaker designers more latitude in their designs, unleashing the wave of loudspeaker innovation that began a few years later. Perhaps the best-selling high-performance amplifier of all time. Krell KSA-50The KSA-50 is significant more for being the first commercial product from then-newcomer Dan D’Agostino and Krell Industries. £599.00. CAMBRIDGE AUDIO A 500 Integrated $ 380.00. That is why my best equipment is vintage mint Japanese. Perhaps the most prominent at the moment is the highly praised Van Alstine Ultrawave recently reviewed by Dick Olsher. For one thing, there are still many around, which speaks to how well-built they are. Even today, it is startling how good the 303 sounds, if played within its power limits. £450.00. One of the truly great, pioneering solid-state designs, the KSA-50 was perhaps the first solid-state amp that could be justly called unflappable. 1951 Gibson GA-30. 6 Audio Research D series and Conrad Johnson Premiere series: Arguably, none of these were really all that interesting as circuit design in principle, but they put tube amplifiers back in the center of things in American High End in the 1970’s and ‘80’s, for better or worse. About which there was some controversy, particularly from other designers, who thought Pass had pulled a sleight of hand. The 3020 was simply the “go-to” amplifier for an entry-level high-end system. Pages in category "Guitar amplifier manufacturers" The following 94 pages are in this category, out of 94 total. We always have an interesting selection of vintage integrated amplifiers, preamplifiers and power amplifiers for sale. The 275 has been restored as the company in the past several years has finally moved back into tubed amplification production, and with stunning results (I think its 300/300 watt 2301 unit is the purest sounding amplifier in my experience—to date.). Hegeman was a freewheeling rover, who loved music and never made an amp (or anything else) that didn’t pay tribute to the real thing. The DH-200 made a high-end powerhouse amplifier affordable to many. Phase Linear 700It was 1970 and Bob Carver saw the future and brought to market a product that would set the stage for a new audio segment—affordable, mass-market, high-performance audio. Dynaco Stereo 70If we want to talk about influence—and a long-lasting one—we’d start with this seventy-watt stereo unit, which, during its 20 year (or so) life span was studied and copied by many young designers. Historically important. Hafler DH-200Sold as a kit or fully assembled ($299/$429 in 1980, if memory serves), the DH-200 represented the confluence of great sound (thanks in part to a wonderful MOSFET output stage), high reliability, and a dirt-cheap price. Amplifiers act as the translators between record and speakers. Dynaco ST-70Sold as diy kits or factory-assembled, this very affordable, highly-tweakable, 35Wpc, EL34-based stereo tube amp from David Hafler is the best-selling audio component of all time with over 300,000 manufactured. All rights reserved. That is, Johnson had got the midbass right, which, to this point, no tubed amplifier had done. Carver Silver SevensCarver bought the output tranies in the 1960s and schlepped them around for nearly twenty years before building his dream amplifier. Find many great new & used options and get the best deals for Pioneer Sa-7800 Stereo Integrated Amplifier Very Good Japanese Vintage at the best online prices at eBay! Mark Levinson ML-2Before Lexus and corporate branding, before Kim Cattrall, there was Mark Levinson, the man—an original who pioneered a second wave of high-status boutique amplifiers like the ML-2 that defied corporate culture. Released in 1968 (as the MI350) for commercial applications, it eclipsed any amplifier of the day with an extraordinary 350 watts per channel. Completely devoid of grain and grit, the Reference 600 was revelatory in its seductive liquidity. They did not measure well, but they sure sounded much better than the transistor amplifiers of the 1960′ and 70’s. Ending Sunday at 8:44PM GMT 2d 15h. Vintage Amplifiers. ... Teac RV-30 Stereo Integrated Receiver Japanese Vintage Phono Input . The electric guitar may be the icon of American popular music in the 20th century, but rock ’n’ roll as we know it today would not have been possible without the amplifier. Bob Carver’s 700 paved the way for the modern era of high-powered amplifiers, both tubed and solid-state. It was natural progress that Sansui started manufacturing amplifiers and tuners in its early history. Find many great new & used options and get the best deals for Pioneer Sa-7800 Stereo Integrated Amplifier Very Good Japanese Vintage at the best online … The Series One is the one to have. Dynaco ST-70Along with Avery Fisher’s 500c, David Hafler’s ST-70 put high performance audio in the American home. This was the first production amplifier to use handmade silver electronic components (transformers, caps, and wire). And he thought, at the time, that the high-voltage output was the decided advantage tube designs had. Marantz 8BIntroduced in 1962, this Sid Smith design represented the pinnacle of Class A Ultra-Linear design, delivering a sweet 30Wpc from a pair of EL-34 power pentodes operating in fixed bias. Perhaps the quality of “authority” here that was distinctive and that so impressed me lay in the basics. Audio Research 76AFeaturing a complex, regulated power supply, and a pentode output stage, it coaxed 75Wpc from a pair of 6550 beam power tubes. The use of shifting bias allowed the unit to stay in Class A as the demands on its power output shifted. 1950's Rickenbacker Professional 12. Hafler XL-280Hafler’s line of MOSFET amps begun in the 1970s, though very popular, did not quite dominate the American scene as had Dynaco. Introduced in 1967, it is nearly the only early solid‑state amplifier that gave and still gives the lie to sweeping assertions about early transistor amps’ grain and harshness (thanks to Walker’s innovative use of “output triples,” which made the 303 unconditionally stable). The 800A was the first product in a lifetime of creative approaches to amplifier design that continues to this day in Pass Labs’ products. A NICE BIT OFF KIT AND A GREAT SOUND A DEEP SOUND YOU DONT GET FROM NEW AMPS The grill on the t I used my 400 with great satisfaction for nearly five years on Dahlquist DQ‑10s. Whatever, contemporary amplifier design is inconceivable without him. McIntoshTim de Paravicini has said that the only audio circuit apart from his own he wished he’d designed is McIntosh’s “Unity Coupled Circuit.” Of several obvious contenders, my choice is the MC275—introduced in 1961, designed by McIntosh co-founder Sidney Corderman—one of the first tube amps to sound truly neutral and offer high power (75 watts/channel, very high those days). Only The Best Components. In my ears good valve amplifiers still outperforms even the best and most expensive transistor amplifiers. Mark Levinson ML-2The ultimate in snob appeal for its sky-high cost (in the day), the quality of both parts and build, the momentous and cutting heat sinks, all designed to offset its Class A power output of less than 35 watts. The trick here lay in the biasing of the unit—one then unconventional in the extreme. $1,995.00. In 1988, Hiroyasu Kondo’s, minuscule-powered, 27Wpc SET integrated amplifier set the mark for luxury pricing of audio components. AU-X1111 MOS Vintage AU-Alpha907DR AU-Alpha907MR AU-111 Vintage Power Amplifiers Pre Amplifiers. Heathkit amps A right of passage—there was more hair pulled out trying to finish these DIY amps. The amplifier was, to me, an astonishment in the form of sound.) Easy to modify and renown for its personable midrange, it was often affectionately referenced as the “poor Man’s McIntosh.”. (Dynaco also made several worthy solid-state amps, including the very popular 60Wpc Stereo 120 and the 200Wpc Stereo 400.). Krell KSA-100 Arguably, the first high-end solid-state super-amp. Dynamics contrasts, those going from microsoft (not MSNBC) to very loud, are the defining characteristic of the real thing. Still competitive today, this chocolate-colored beauty is seriously collectible. Phase Linear 400Bob Carver’s 700 was higher powered and came first, but the 400, released in 1972, was the real beauty of the early super powered amplifiers with high output voltage swing. So he built into the 700 a very wide voltage swing. Free shipping on many items | Browse your favorite brands | affordable prices. McIntosh MC275A 75Wpc stereo amplifier, designed primarily by Sidney Corderman in 1961. Amplifiers. {"modules":["unloadOptimization","bandwidthDetection"],"unloadOptimization":{"browsers":{"Firefox":true,"Chrome":true}},"bandwidthDetection":{"url":"https://ir.ebaystatic.com/cr/v/c1/thirtysevens.jpg","maxViews":4,"imgSize":37,"expiry":300000,"timeout":250}}, Costume, Occasion & Specialized Clothing, Shoes & Accessories, Mobile Phones, Smart Watches, Accessories & Communication, Bathroom Fixtures, Accessories & Supplies, Industrial Printing & Graphic Arts Equipment, Shaving & Hair Removal Products & Equipment. Able to run as a 150W mono amp or as a 75Wpc stereo amp, it proved so popular that it returned for an encore years after ceased production. But a class act. After that comes the Harman Kardon HK3380 receiver. Several solid-state designs emerged in the 70s but it was the all tube D70 in 1983 that established forever the hallmark “high definition” sound of an Audio Research amplifier. The ST-70 has too many descendants to list, including the early ARC amps and the late, great Luxman MB-3045. A couple of months back, we published a guide to the many '60s guitar brands that often get mislabeled under the general “Teisco” tag. Its many latterday descendants include the marvelous and still-very-much-with-us Air Tight ATM-3. So, it was said only a few units were left over for Iverson to sell to the general public. Huge meters on a massive chassis, high heat output from the 6550s, and the kind of power that made them the amplifier of choice for the then speaker of choice, the Magneplanar Timpani 1D. A real classic from 1972 (how I wish I had bought one!). If you do not see what you are looking for please contact us. Vintage Guitar Amplifiers. Tact MillenniumDigital amplification in some form or another was bound to show up eventually and there were earlier tries at something like “digital” amplification. I remember a journalist of the french magazine L'Audiophile, Jean Hiraga, who lived during his youth in Japan and sometimes wrote about it in French magazines. He learned, through his measurements, that tube amps could swing 200 volts, while their solid-state counterparts only 35 or so. MARANTZ ST 450 Tuner $ 280.00. The year was 1980 and who would know that the KSA 100, right out-of-the-box, would establish Krell as one of the greatest brands of all time. Rock bands put dry ice on stacks of these legendary 350 watt per channel amps to cool them down. The 70, and its descendants the Mk2 and 3 versions—came along just as stereo sound was being born. It eclipsed Audio Research’s 50- and 75-watt tube amps of the 70s with an amazing 200 watts per channel. SONY TA-70 Rare vintage restored amplifier with PHONO input + speakers. Sanders MagtechNot around long enough yet to have had much influence, but give it time. Well, there were a lot of amps back in the day when Japanese manufacturing was at the stage the Chinese market is at now. Works as it should all around, with great detail and dynamics in our test systems here in the shop. What made it an interesting product, aside from its unusually smooth sonics, was the fact that it was called a Class A (high-powered) unit. Audio Research Reference 600/610TThe forerunner of the 610T, the massive Reference 600 (34 tubes per side) not only set a new standard in timbral purity and realism, it opened my eyes to the virtues of tube regulation (6550’s as the series-pass elements). Allowed the unit to stay in Class a ML2 vintage japanese amplifiers first servo-controlled power amplifier ; sales estimated! Btw, I had to have had much influence, but they sounded! Mc3500 established mcintosh as the translators between record and amplify, or increase the volume of sound..! 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